Ada or Ardor: A Family Chronicle Part 1, Chapter 32 (view annotations) |
32 |
The shooting script was now ready. Marina, in dorean robe | |
and coolie hat, reclined reading in a long-chair on the patio. | |
Her director, G.A. Vronsky, elderly, baldheaded, with a | |
spread of grizzled fur on his fat chest, was alternately sipping | |
197.05 | his vodka-and-tonic and feeding Marina typewritten pages from |
a folder. On her other side, crosslegged on a mat, sat Pedro | |
(surname unknown, stagename forgotten), a repulsively hand- | |
some, practically naked young actor, with satyr ears, slanty | |
eyes, and lynx nostrils, whom she had brought from Mexico and | |
197.10 | was keeping at a hotel in Ladore. |
Ada, lying on the edge of the swimming pool, was doing | |
her best to make the shy dackel face the camera in a reasonably | |
upright and decent position, while Philip Rack, an insignificant | |
but on the whole likable young musician who in his baggy | |
197.15 | trunks looked even more dejected and awkward than in the |
green velvet suit he thought fit to wear for the piano lessons he | |
gave Lucette, was trying to take a picture of the recalcitrant | |
chop-licking animal and of the girl's parted breasts which her | |
half-prone position helped to disclose in the opening of her | |
197.20 | bathing suit. |
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If one dollied now to another group standing a few paces | |
away under the purple garlands of the patio arch, one might | |
take a medium shot of the young maestro's pregnant wife in a | |
polka-dotted dress replenishing goblets with salted almonds, and | |
198.05 | of our distinguished lady novelist resplendent in mauve flounces, |
mauve hat, mauve shoes, pressing a zebra vest on Lucette, who | |
kept rejecting it with rude remarks, learned from a maid but | |
uttered in a tone of voice just beyond deafish Mlle Larivière's | |
field of hearing. | |
198.10 | Lucette remained topless. Her tight smooth skin was the |
color of thick peach syrup, her little crupper in willow-green | |
shorts rolled drolly, the sun lay sleek on her russet bob and | |
plumpish torso: it showed but a faint circumlocution of femin- | |
inity, and Van, in a scowling mood, recalled with mixed feelings | |
198.15 | how much more developed her sister had been at not quite |
twelve years of age. | |
He had spent most of the day fast asleep in his room, and a | |
long, rambling, dreary dream had repeated, in a kind of point- | |
less parody, his strenuous "Casanovanic" night with Ada and | |
198.20 | that somehow ominous morning talk with her. Now that I am |
writing this, after so many hollows and heights of time, I find | |
it not easy to separate our conversation, as set down in an in- | |
evitably stylized form, and the drone of complaints, turning | |
on sordid betrayals that obsessed young Van in his dull night- | |
198.25 | mare. Or was he dreaming now that he had been dreaming? |
Had a grotesque governess really written a novel entitled Les | |
Enfants Maudits? To be filmed by frivolous dummies, now dis- | |
cussing its adaptation? To be made even triter than the original | |
Book of the Fortnight, and its gurgling blurbs? Did he detest | |
198.30 | Ada as he had in his dreams? He did. |
Now, at fifteen, she was an irritating and hopeless beauty; | |
a rather unkempt one, too; only twelve hours ago, in the dim | |
toolroom he had whispered a riddle in her ear: what begins with | |
a "de" and rhymes more or less with a Silesian river ant? She |
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[ 199 ]
bered, with shudders of revulsion, the indoor pool of his prep | |
school, the running noses, the pimpled chests, the chance con- | |
tacts with odious male flesh, the suspicious bubble bursting like | |
a small stink bomb, and especially, especially, the bland, sly, | |
200.05 | triumphant and absolutely revolting wretch who stood in |
shoulder-high water and secretly urinated (and, God, how he | |
had beaten him up, though that Vere de Vere was three years | |
older than he). | |
He now kept carefully out of reach of any possible splash as | |
200.10 | Pedro and Phil snorted and fooled in their foul bath. Presently |
the pianist, floating up and showing his awful gums in a servile | |
grin, tried to draw Ada into the pool from her outstretched | |
position on the tiled margin, but she evaded the grab of his | |
despair by embracing the big orange ball she had just fished | |
200.15 | out and, pushing him away with that shield, she then threw it |
toward Van, who slapped it aside, refusing the gambit, ignoring | |
the gambol, scorning the gambler. | |
And now hairy Pedro hoisted himself onto the brink and | |
began to flirt with the miserable girl (his banal attentions were, | |
200.20 | really, the least of her troubles). |
"Your leetle aperture must be raccommodated," he said. | |
"Que voulez-vous dire, for goodness sake?" she asked, in- | |
stead of dealing him a backhand wallop. | |
"Permit that I contact your charming penetralium," the idiot | |
200.25 | insisted, and put a wet finger on the hole in her swimsuit. |
"Oh that" (shrugging and rearranging the shoulder strap dis- | |
placed by the shrug). "Never mind that. Next time, maybe, I'll | |
put on my fabulous new bikini." | |
"Next time, maybe, no Pedro?" | |
200.30 | "Too bad," said Ada. "Now go and fetch me a Coke, like a |
good dog." | |
"E tu?" Pedro asked Marina as he walked past her chair. | |
"Again screwdriver?" |
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"Yes, dear, but with grapefruit, not orange, and a little zuc- | |
chero. I can't understand" (turning to Vronsky), "why do I | |
sound a hundred years old on this page and fifteen on the next? | |
Because if it is a flashback—and it is a flashback, I suppose" (she | |
201.05 | pronounced it fleshbeck), "Renny, or what's his name, René, |
should not know what he seems to know." | |
"He does not," cried G.A., "it's only a half-hearted flashback. | |
Anyway, this Renny, this lover number one, does not know, | |
of course, that she is trying to get rid of lover number two, | |
201.10 | while she's wondering all the time if she can dare go on dating |
number three, the gentleman farmer, see?" | |
"Nu, eto chto-to slozhnovato (sort of complicated), Grigoriy | |
Akimovich," said Marina, scratching her cheek, for she always | |
tended to discount, out of sheer self-preservation, the consid- | |
201.15 | erably more slozhnïe patterns of her own past. |
"Read on, read, it all becomes clear," said G.A., riffling | |
through his own copy. | |
"Incidentally," observed Marina, "I hope dear Ida will not | |
object to our making him not only a poet, but a ballet dancer. | |
201.20 | Pedro could do that beautifully, but he can't be made to recite |
French poetry." | |
"If she protests," said Vronsky, "she can go and stick a tele- | |
graph pole—where it belongs." | |
The indecent "telegraph" caused Marina, who had a secret | |
201.25 | fondness for salty jokes, to collapse in Ada-like ripples of rolling |
laughter (pokativshis' so smehu vrode Adï): "But let's be seri- | |
ous, I still don't see how and why his wife—I mean the second | |
guy's wife—accepts the situation (polozhenie)." | |
Vronsky spread his fingers and toes. | |
201.30 | "Prichyom tut polozhenie (situation-shituation)? She is bliss- |
fully ignorant of their affair and besides, she knows she is fubsy | |
and frumpy, and simply cannot compete with dashing Hélène." | |
"I see, but some won't," said Marina. |
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In the meantime, Herr Rack swam up again and joined Ada | |
on the edge of the pool, almost losing his baggy trunks in the | |
process of an amphibious heave. | |
"Permit me, Ivan, to get you also a nice cold Russian kok?" | |
202.05 | said Pedro—really a very gentle and amiable youth at heart. |
"Get yourself a cocoanut," replied nasty Van, testing the poor | |
faun, who did not get it, in any sense, and, giggling pleasantly, | |
went back to his mat. Claudius, at least, did not court Ophelia. | |
The melancholy young German was in a philosophical mood | |
202.10 | shading into the suicidal. He had to return to Kalugano with |
his Elsie, who Doc Ecksreher thought "would present him | |
with driplets in dry weeks." He hated Kalugano, his and her | |
home town, where in a moment of "mutual aberration" stupid | |
Elsie had given him her all on a park bench after a wonderful | |
202.15 | office party at Muzakovski's Organs where the oversexed pitiful |
oaf had a good job. | |
"When are you leaving?" asked Ada. | |
"Forestday—after tomorrow." | |
"Fine. That's fine. Adieu, Mr. Rack." | |
202.20 | Poor Philip drooped, fingerpainting sad nothings on wet stone, |
shaking his heavy head, gulping visibly. | |
"One feels . . . One feels," he said, "that one is merely playing | |
a role and has forgotten the next speech." | |
"I'm told many feel that," said Ada; "it must be a furchtbar | |
202.25 | feeling." |
"Cannot be helped? No hope any more at all? I am dying, | |
yes?" | |
"You are dead, Mr. Rack," said Ada. | |
She had been casting sidelong glances, during that dreadful | |
202.30 | talk, and now saw pure, fierce Van under the tulip tree, quite |
a way off, one hand on his hip, head thrown back, drinking | |
beer from a bottle. She left the pool edge, with its corpse, and | |
moved toward the tulip tree making a strategic detour between |
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the authoress, who—still unaware of what they were doing to | |
her novel—was dozing in a deckchair (out of whose wooden | |
arms her chubby fingers grew like pink mushrooms), and the | |
leading lady, now puzzling over a love scene where the young | |
203.05 | chatelaine's "radiant beauty" was mentioned. |
"But," said Marina, "how can one act out 'radiant,' what does | |
radiant beauty mean?" | |
"Pale beauty," said Pedro helpfully, glancing up at Ada as | |
she passed by, "the beauty for which many men would cut off | |
203.10 | their members." |
"Okay," said Vronsky. "Let us get on with this damned | |
script. He leaves the pool-side patio, and since we contemplate | |
doing it in color—" | |
Van left the pool-side patio and strode away. He turned into | |
203.15 | a side gallery that led into a grovy part of the garden, grading |
insensibly into the park proper. Presently, he noticed that Ada | |
had hastened to follow him. Lifting one elbow, revealing the | |
black star of her armpit, she tore off her bathing cap and with | |
a shake of her head liberated a torrent of hair. Lucette, in color, | |
203.20 | trotted behind her. Out of charity for the sisters' bare feet, Van |
changed his course from gravel path to velvet lawn (reversing | |
the action of Dr. Ero, pursued by the Invisible Albino in one | |
of the greatest novels of English literature). They caught up | |
with him in the Second Coppice. Lucette, in passing, stopped | |
203.25 | to pick up her sister's cap and sunglasses—the sunglasses of |
much-sung lasses, a shame to throw them away! My tidy little | |
Lucette (I shall never forget you . . .) placed both objects on | |
a tree stump near an empty beer bottle, trotted on, then went | |
back to examine a bunch of pink mushrooms that clung to the | |
203.30 | stump, snoring. Double take, double exposure. |
"Are you furious, because—" began Ada upon overtaking | |
him (she had prepared a sentence about her having to be polite | |
after all to a piano tuner, practically a servant, with an obscure |
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heart ailment and a vulgar pathetic wife—but Van interrupted | |
her). | |
"I object," he said, expelling it like a rocket, "to two things. | |
A brunette, even a sloppy brunette, should shave her groin be- | |
204.05 | fore exposing it, and a well-bred girl does not allow a beastly |
lecher to poke her in the ribs even if she must wear a moth- | |
eaten, smelly rag much too short for her charms." "Ach!" he | |
added, "why the hell did I return to Ardis!" | |
"I promise, I promise to be more careful from now on and | |
204.10 | not let lousy Pedro come near," she said with happy rigorous |
nods—and an exhalation of glorious relief, the cause of which | |
was to torture Van only much later. | |
"Oh, wait for me!" yelped Lucette. | |
(Torture, my poor love! Torture! Yes! But it's all sunk and | |
204.15 | dead. Ada's late note.) |
The three of them formed a pretty Arcadian combination as | |
they dropped on the turf under the great weeping cedar, | |
whose aberrant limbs extended an oriental canopy (propped up | |
here and there by crutches made of its own flesh like this book) | |
204.20 | above two black and one golden-red head as they had above |
you and me on dark warm nights when we were reckless, | |
happy children. | |
Van, sprawling supine, sick with memories, put his hands | |
behind his nape and slit his eyes at the Lebanese blue of the sky | |
204.25 | between the fascicles of the foliage. Lucette fondly admired his |
long lashes while pitying his tender skin for the inflamed | |
blotches and prickles between neck and jaw where shaving | |
caused the most trouble. Ada, her keepsake profile inclined, her | |
mournful magdalene hair hanging down (in sympathy with the | |
204.30 | weeping shadows) along her pale arm, sat examining abstractly |
the yellow throat of a waxy-white helleborine she had picked. | |
She hated him, she adored him. He was brutal, she was defense- | |
less. | |
Lucette, always playing her part of the clinging, affection- |
[ 204 ]
ately fussy lassy, placed both palms on Van's hairy chest and | |
wanted to know why he was cross. | |
"I'm not cross with you," replied Van at last. | |
Lucette kissed his hand, then attacked him. | |
205.05 | "Cut it out!" he said, as she wriggled against his bare thorax. |
"You're unpleasantly cold, child." | |
"It's not true, I'm hot," she retorted. | |
"Cold as two halves of a canned peach. Now, roll off, please." | |
"Why two? Why?" | |
205.10 | "Yes, why," growled Ada with a shiver of pleasure, and, |
leaning over, kissed him on the mouth. He struggled to rise. | |
The two girls were now kissing him alternatively, then kissing | |
each other, then getting busy upon him again—Ada in perilous | |
silence, Lucette with soft squeals of delight. I do not remember | |
205.15 | what Les Enfants Maudits did or said in Monparnasse's novelette |
—they lived in Bryant's château, I think, and it began with bats | |
flying one by one out of a turret's oeil-de-boeuf into the sunset, | |
but these children (whom the novelettist did not really know— | |
a delicious point) might also have been filmed rather entertain- | |
205.20 | ingly had snoopy Kim, the kitchen photo-fiend, possessed the |
necessary apparatus. One hates to write about those matters, | |
it all comes out so improper, esthetically speaking, in written | |
description, but one cannot help recalling in this ultimate twi- | |
light (where minor artistic blunders are fainter than very fugi- | |
205.25 | tive bats in an insect-poor wilderness of orange air) that Lu- |
cette's dewy little contributions augmented rather than damp- | |
ened Van's invariable reaction to the only and main girl's light- | |
est touch, actual or imagined. Ada, her silky mane sweeping | |
over his nipples and navel, seemed to enjoy doing everything to | |
205.30 | jolt my present pencil and make, in that ridiculously remote |
past, her innocent little sister notice and register what Van | |
could not control. The crushed flower was now being merrily | |
crammed under the rubber belt of his black trunks by twenty | |
tickly fingers. As an ornament it had not much value; as a game |
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it was inept and dangerous. He shook off his pretty tormentors, | |
and walked away on his hands, a black mask over his carnival | |
nose. Just then, the governess, panting and shouting, arrived on | |
the scene. "Mais qu'est-ce qu'il t'a fait, ton cousin?" she kept | |
206.05 | anxiously asking, as Lucette, shedding the same completely un- |
warranted tears that Ada had once shed, rushed into the mauve- | |
winged arms. |
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