Ada or Ardor: A Family Chronicle Part 1, Chapter 41 (view annotations) |
41 |
Pedro had not yet returned from California. Hay fever and | |
dark glasses did not improve G.A. Vronsky's appearance. | |
Adorno, the star of Hate, brought his new wife, who turned | |
out to have been one of the old (and most beloved wives) of | |
291.05 | another guest, a considerably more important comedian, who |
after supper bribed Bouteillan to simulate the arrival of a mes- | |
sage necessitating his immediate departure. Grigoriy Akimovich | |
went with him (having come with him in the same rented | |
limousine), leaving Marina, Ada, Adorno and his ironically | |
291.10 | sniffing Marianne at a card table. They played biryuch, a variety |
of whist, till a Ladore taxi could be obtained, which was well | |
after 1:00 A.M. | |
In the meantime Van changed back to shorts, cloaked himself | |
in the tartan plaid and retired to his bosquet, where the berga- | |
291.15 | mask lamps had not been lit at all that night which had not |
proved as festive as Marina had expected. He climbed into his | |
hammock and drowsily started reviewing such French-speaking | |
domestics as could have slipped him that ominous but according | |
to Ada meaningless note. The first, obvious choice was hyster- | |
291.20 | ical and fantastic Blanche—had there not been her timidity, |
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her fear of being "fired" (he recalled a dreadful scene when | |
she groveled, pleading for mercy, at the feet of Larivière, who | |
accused her of "stealing" a bauble that eventually turned up in | |
one of Larivière's own shoes). The ruddy face of Bouteillan | |
292.05 | and his son's grin next appeared in the focus of Van's fancy; |
but presently he fell asleep, and saw himself on a mountain | |
smothered in snow, with people, trees, and a cow carried down | |
by an avalanche. | |
Something roused him from that state of evil torpor. At first | |
292.10 | he thought it was the chill of the dying night, then recognized |
the slight creak (that had been a scream in his confused night- | |
mare), and raising his head saw a dim light in between the shrubs | |
where the door of the tool room was being pushed ajar from the | |
inside. Ada had never once come there without their prudently | |
292.15 | planning every step of their infrequent nocturnal trysts. He |
scrambled out of his hammock and padded toward the lighted | |
doorway. Before him stood the pale wavering figure of Blanche. | |
She presented an odd sight: bare armed, in her petticoat, one | |
stocking gartered, the other down to her ankle; no slippers; | |
292.20 | armpits glistening with sweat; she was loosening her hair in a |
wretched simulacrum of seduction. | |
"C'est ma dernière nuit au château," she said softly, and re- | |
phrased it in her quaint English, elegiac and stilted, as spoken | |
only in obsolete novels. "'Tis my last night with thee." | |
292.25 | "Your last night? With me? What do you mean?" He con- |
sidered her with the eerie uneasiness one feels when listening | |
to the utterances of delirium or intoxication. | |
But despite her demented look, Blanche was perfectly lucid. | |
She had made up her mind a couple of days ago to leave Ardis | |
292.30 | Hall. She had just slipped her demission, with a footnote on |
the young lady's conduct, under the door of Madame. She | |
would go in a few hours. She loved him, he was her "folly and | |
fever," she wished to spend a few secret moments with him. | |
He entered the toolroom and slowly closed the door. The |
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slowness had its uncomfortable cause. She had placed her lan- | |
tern on the rung of a ladder and was already gathering up and | |
lifting her skimpy skirt. Compassion, courtesy and some as- | |
sistance on her part might have helped him to work up the urge | |
293.05 | which she took for granted and whose total absence he carefully |
concealed under his tartan cloak; but quite aside from the fear | |
of infection (Bout had hinted at some of the poor girl's trou- | |
bles), a graver matter engrossed him. He diverted her bold hand | |
and sat down on the bench beside her. | |
293.10 | Was it she who had placed that note in his jacket? |
It was. She had been unable to face departure if he was to | |
remain fooled, deceived, betrayed. She added, in naive brackets, | |
that she had been sure he always desired her, they could talk | |
afterwards. Je suis à toi, c’est bientôt l’aube, your dream has | |
293.15 | come true. |
"Parlez pour vous, " answered Van. "I am in no mood for | |
love-making. And I will strangle you, I assure you, if you do | |
not tell me the whole story in every detail, at once." | |
She nodded, fear and adoration in her veiled eyes. When and | |
293.20 | how had it started? Last August, she said. Votre demoiselle |
picking flowers, he squiring her through the tall grass, a flute in | |
his hand. Who he? What flute? Mais le musicien allemand, | |
Monsieur Rack. The eager informer had her own swain lying | |
upon her on the other side of the hedge. How anybody could | |
293.25 | do it with l'immonde Monsieur Rack, who once forgot his |
waistcoat in a haystack, was beyond the informer's compre- | |
hension. Perhaps because he made songs for her, a very pretty | |
one was once played at a big public ball at the Ladore Casino, it | |
went... Never mind how it went, go on with the story. Mon- | |
293.30 | sieur Rack, one starry night, in a boat on the river, was heard |
by the informer and two gallants in the willow bushes, recount- | |
ing the melancholy tale of his childhood, of his years of hunger | |
and music and loneliness, and his sweetheart wept and threw | |
her head back and he fed on her bare throat, il la mangeait de |
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baisers dégoûtants. He must have had her not more than a dozen | |
times, he was not as strong as another gentleman—oh, cut it out, | |
said Van and in winter the young lady learnt he was married, | |
and hated his cruel wife, and in April when he began to give | |
294.05 | piano lessons to Lucette the affair was resumed, but then— |
"That will do!" he cried and, beating his brow with his fist, | |
stumbled out into the sunlight. | |
It was a quarter to six on the wristwatch hanging from the | |
net of the hammock. His feet were stone cold. He groped for | |
294.10 | his loafers and walked aimlessly for some time among the trees |
of the coppice where thrushes were singing so richly, with | |
such sonorous force, such fluty fioriture that one could not | |
endure the agony of consciousness, the filth of life, the loss, the | |
loss, the loss. Gradually, however, he regained a semblance of | |
294.15 | self-control by the magic method of not allowing the image of |
Ada to come anywhere near his awareness of himself. This | |
created a vacuum into which rushed a multitude of trivial re- | |
flections. A pantomime of rational thought. | |
He took a tepid shower in the poolside shed, doing everything | |
294.20 | with comic deliberation, very slowly and cautiously, lest he |
break the new, unknown, brittle Van born a moment ago. He | |
watched his thoughts revolve, dance, strut, clown a little. He | |
found it delightful to imagine, for instance, that a cake of soap | |
must be solid ambrosia to the ants swarming over it, and what | |
294.25 | a shock to be drowned in the midst of that orgy. The code, he |
reflected, did not allow to challenge a person who was not born | |
a gentleman but exceptions might be made for artists, pianists, | |
flutists, and if a coward refused, you could make his gums bleed | |
with repeated slaps or, still better, thrash him with a strong cane | |
294.30 | —must not forget to choose one in the vestibule closet before |
leaving forever, forever. Great fun! He relished as something | |
quite special the kind of one-legged jig a naked fellow performs | |
when focusing on the shorts he tries to get into. He sauntered |
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through a side gallery. He ascended the grand staircase. The | |
house was empty, and cool, and smelled of carnations. Good | |
morning, and good-bye, little bedroom. Van shaved, Van pared | |
his toe-nails, Van dressed with exquisite care: gray socks, silk | |
295.05 | shirt, gray tie, dark-gray suit newly pressed—shoes, ah yes, |
shoes, mustn't forget shoes, and without bothering to sort out | |
the rest of his belongings, crammed a score of twenty-dollar | |
gold coins into a chamois purse, distributed handkerchief, check- | |
book, passport, what else? nothing else, over his rigid person | |
295.10 | and pinned a note to the pillow asking to have his things packed |
and forwarded to his father's address. Son killed by avalanche, | |
no hat found, contraceptives donated to Old Guides' Home. | |
After the passage of about eight decades all this sounds very | |
amusing and silly—but at the time he was a dead man going | |
295.15 | through the motions of an imagined dreamer. He bent down |
with a grunt, cursing his knee, to fix his skis, in the driving | |
snow, on the brink of the slope, but the skis had vanished, the | |
bindings were shoelaces, and the slope, a staircase. | |
He walked down to the mews and told a young groom, who | |
295.20 | was almost as drowsy as he, that he wished to go to the railway |
station in a few minutes. The groom looked perplexed, and Van | |
swore at him. | |
Wristwatch! He returned to the hammock where it was | |
strapped to the netting. On his way back to the stables, around | |
295.25 | the house, he happened to look up and saw a black-haired girl |
of sixteen or so, in yellow slacks and a black bolero, standing on | |
a third-floor balcony and signaling to him. She signaled tele- | |
graphically, with expansive linear gestures, indicating the cloud- | |
less sky (what a cloudless sky!), the jacaranda summit in bloom | |
295.30 | (blue! bloom!) and her own bare foot raised high and placed |
on the parapet (have only to put on my sandals!). Van, to his | |
horror and shame, saw Van wait for her to come down. | |
She walked swiftly toward him across the iridescently glisten- |
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ing lawn. "Van," she said, "I must tell you my dream before I | |
forget. You and I were high up in the Alps—Why on earth | |
are you wearing townclothes?" | |
"Well, I’ll tell you," drawled dreamy Van. "I’ll tell you why. | |
296.05 | From a humble but reliable sauce, I mean source, excuse my |
accent, I have just learned qu'on vous culbute behind every | |
hedge. Where can I find your tumbler?" | |
"Nowhere," she answered quite calmly, ignoring or not even | |
perceiving his rudeness, for she had always known that disaster | |
296.10 | would come today or tomorrow, a question of time or rather |
timing on the part of fate. | |
"But he exists, he exists," muttered Van, looking down at a | |
rainbow web on the turf. | |
"I suppose so," said the haughty child, "however, he left | |
296.15 | yesterday for some Greek or Turkish port. Moreover, he was |
going to do everything to get killed, if that information helps. | |
Now listen, listen! Those walks in the woods meant nothing. | |
Wait, Van! I was weak only twice when you had hurt him so | |
hideously, or perhaps three times in all. Please! I can't explain | |
296.20 | in one gush, but eventually you will understand. Not everybody |
is as happy as we are. He's a poor, lost, clumsy boy. We are | |
all doomed, but some are more doomed than others. He is | |
nothing to me. I shall never see him again. He is nothing, I | |
swear. He adores me to the point of insanity." | |
296.25 | "I think," said Van, "we've got hold of the wrong lover. I |
was asking about Herr Rack, who has such delectable gums | |
and also adores you to the point of insanity." | |
He turned, as they say, on his heel, and walked toward the | |
house. | |
296.30 | He could swear he did not look back, could not—by any |
optical chance, or in any prism—have seen her physically as | |
he walked away; and yet, with dreadful distinction, he re- | |
tained forever a composite picture of her standing where he | |
left her. The picture—which penetrated him, through an eye |
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in the back of his head, through his vitreous spinal canal, and | |
could never be lived down, never—consisted of a selection and | |
blend of such random images and expressions of hers that had | |
affected him with a pang of intolerable remorse at various | |
297.05 | moments in the past. Tiffs between them had been very rare, |
very brief, but there had been enough of them to make up the | |
enduring mosaic. There was the time she stood with her back | |
against a tree trunk, facing a traitor's doom; the time he had | |
refused to show her some silly Chose snapshots of punt girls | |
297.10 | and had torn them up in fury and she had looked away knitting |
her brows and slitting her eyes at an invisible view in the | |
window. Or that time she had hesitated, blinking, shaping a | |
soundless word, suspecting him of a sudden revolt against her | |
odd prudishness of speech, when he challenged her brusquely | |
297.15 | to find a rhyme to "patio" and she was not quite sure if he had |
in mind a certain foul word and if so what was its correct pro- | |
nunciation. And perhaps, worst of all, that time when she | |
stood fiddling with a bunch of wild flowers, a gentle half- | |
smile hanging back quite neutrally in her eyes, her lips pursed, | |
297.20 | her head making imprecise little movements as if punctuating |
with self-directed nods secret decisions and silent clauses in some | |
sort of contract with herself, with him, with unknown parties | |
hereinafter called Comfortless, Inutile, Unjust—while he in- | |
dulged in a brutal outburst triggered by her suggesting—quite | |
297.25 | sweetly and casually (as she might suggest walking a little way |
on the edge of a bog to see if a certain orchid was out)—that | |
they visit the late Krolik's grave in a churchyard by which | |
they were passing—and he had suddenly started to shout ("You | |
know I abhor churchyards, I despise, I denounce death, dead | |
297.30 | bodies are burlesque, I refuse to stare at a stone under which a |
roly-poly old Pole is rotting, let him feed his maggots in peace, | |
the entomologies of death leave me cold, I detest, I despise—"); | |
he went on ranting that way for a couple of minutes and then | |
literally fell at her feet, kissing her feet, imploring her pardon, |
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and for a little while longer she kept gazing at him pensively. | |
Those were the fragments of the tesselation, and there were | |
others, even more trivial; but in coming together the harmless | |
parts made a lethal entity, and the girl in yellow slacks and black | |
298.05 | jacket, standing with her hands behind her back, slightly rocking |
her shoulders, leaning her back now closer now less closely | |
against the tree trunk, and tossing her hair—a definite picture | |
that he knew he had never seen in reality—remained within | |
him more real than any actual memory. | |
298.10 | Marina, in kimono and curlers, stood surrounded by ser- |
vants before the porch and was asking questions that nobody | |
seemed to answer. | |
Van said: | |
"I'm not eloping with your maid, Marina. It's an optical | |
298.15 | illusion. Her reasons for leaving you do not concern me. There's |
a bit of business I had been putting off like a fool but now must | |
attend to before going to Paris." | |
"Ada is causing me a lot of worry," said Marina with a down- | |
cast frown and a Russian wobble of the cheeks. "Please come | |
298.20 | back as soon as you can. You have such a good influence upon |
her. Au revoir. I'm very cross with everybody." | |
Holding up her robe she ascended the porch steps. The tame | |
silver dragon on her back had an ant-eater's tongue according | |
to her eldest daughter, a scientist. What did poor mother know | |
298.25 | about P's and R's? Next to nothing. |
Van shook hands with the distressed old butler, thanked | |
Bout for a silver-knobbed cane and a pair of gloves, nodded to | |
the other servants and walked toward the carriage and pair. | |
Blanche, standing by in a long gray skirt and straw hat, with | |
298.30 | her cheap valise painted mahogany red and secured with a criss- |
crossing cord, looked exactly like a young lady setting out to | |
teach school in a Wild West movie. She offered to sit on the | |
box next to the Russian coachman but he ushered her into the | |
calèche. |
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[ 299 ]
platform in Tolstoy's novel. First exponent of the inner mono- | |
logue, later exploited by the French and the Irish. N'est vert, | |
n'est vert, n'est vert. L'arbre aux quarante écus d'or, at least in | |
the fall. Never, never shall I hear again her "botanical" voice | |
300.05 | fall at biloba, "sorry, my Latin is showing." Ginkgo, gingko, |
ink, inkog. Known also as Salisbury's adiantofolia, Ada's infolio, | |
poor Salisburia: sunk; poor Stream of Consciousness, marée noire | |
by now. Who wants Ardis Hall! | |
"Barin, a barin," said Trofim, turning his blond-bearded face | |
300.10 | to his passenger. |
"Da?" | |
"Dazhe skvoz' kozhanïy fartuk ne stal-bï ya trogat' etu | |
frantsuzskuyu devku." | |
Bárin: master. Dázhe skvoz' kózhanïy fártuk: even through | |
300.15 | a leathern apron. Ne stal-bï ya trógat': I would not think of |
touching. Étu: this (that). Frantsúzskuyu: French (adj., | |
accus.). Dévku: wench. Úzhas, otcháyanie: horror, despair. | |
Zhálost': pity. Kóncheno, zagázheno, rastérzano: finished, fouled, | |
torn to shreds. |
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