Ada or Ardor: A Family Chronicle Part 1, Chapter 19 (view annotations) |
19 |
A sort of hoary riddle (Les Sophismes de Sophie by Mlle Stop- | |
chin in the Bibliothèque Vieux Rose series): did the Burning | |
Barn come before the Cockloft or the Cockloft come first. Oh, | |
first! We had long been kissing cousins when the fire started. | |
114.05 | In fact, I was getting some Château Baignet cold cream from |
Ladore for my poor chapped lips. And we both were roused in | |
our separate rooms by her crying au feu! July 28? August 4? | |
Who cried? Stopchin cried? Larivière cried? Larivière? An- | |
swer! Crying that the barn flambait? | |
114.10 | No, she was fast ablaze—I mean, asleep. I know, said Van, |
it was she, the hand-painted handmaid, who used your water- | |
colors to touch up her eyes, or so Larivière said, who accused | |
her and Blanche of fantastic sins. | |
Oh, of course! But not Marina's poor French—it was our | |
114.15 | little goose Blanche. Yes, she rushed down the corridor and |
lost a miniver-trimmed slipper on the grand staircase, like Ash- | |
ette in the English version. | |
"And do you remember, Van, how warm the night was?" | |
"Eshchyo bï! (as if I did not!). That night because of the | |
114.20 | blink—" |
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That night because of the bothersome blink of remote sheet | |
lightning through the black hearts of his sleeping-arbor, Van | |
had abandoned his two tulip trees and gone to bed in his room. | |
The tumult in the house and the maid's shriek interrupted a | |
115.05 | rare, brilliant, dramatic dream, whose subject he was unable to |
recollect later, although he still held it in a saved jewel box. | |
As usual, he slept naked, and wavered now between pulling | |
on a pair of shorts, or draping himself in his tartan lap robe. | |
He chose the second course, rattled a matchbox, lit his bedside | |
115.10 | candle, and swept out of his room, ready to save Ada and all |
her larvae. The corridor was dark, somewhere the dachshund | |
was barking ecstatically. Van gleaned from subsiding cries that | |
the so-called "baronial barn," a huge beloved structure three | |
miles away, was on fire. Fifty cows would have been without | |
115.15 | hay and Larivière without her midday coffee cream had it |
happened later in the season. Van felt slighted. They've all | |
gone and left me behind, as old Fierce mumbles at the end of | |
the Cherry Orchard (Marina was an adequate Mme Ranevski). | |
With the tartan toga around him, he accompanied his black | |
115.20 | double down the accessory spiral stairs leading to the library. |
Placing a bare knee on the shaggy divan under the window, | |
Van drew back the heavy red curtains. | |
Uncle Dan, a cigar in his teeth, and kerchiefed Marina with | |
Dack in her clutch deriding the watchdogs, were in the process | |
115.25 | of setting out between raised arms and swinging lanterns in |
the runabout—as red as a fire engine!—only to be overtaken | |
at the crunching curve of the drive by three English footmen | |
on horseback with three French maids en croupe. The entire | |
domestic staff seemed to be taking off to enjoy the fire (an in- | |
115.30 | frequent event in our damp windless region), using every |
contraption available or imaginable: telegas, teleseats, roadboats, | |
tandem bicycles and even the clockwork luggage carts with | |
which the stationmaster supplied the family in memory of | |
Erasmus Veen, their inventor. Only the governess (as Ada, |
[ 115 ]
not Van, had by then discovered) slept on through everything, | |
snoring with a wheeze and a harkle, in the room adjacent to the | |
old nursery where little Lucette lay for a minute awake before | |
running after her dream and jumping into the last furniture | |
116.05 | van. |
Van, kneeling at the picture window, watched the inflamed | |
eye of the cigar recede and vanish. That multiple departure . . . | |
Take over. | |
That multiple departure really presented a marvelous sight | |
116.10 | against the pale star-dusted firmament of practically subtropical |
Ardis, tinted between the black trees with a distant flamingo | |
flush at the spot where the Barn was Burning. To reach it one | |
had to drive round a large reservoir which I could make out | |
breaking into scaly light here and there every time some ad- | |
116.15 | venturous hostler or pantry boy crossed it on water skis or in |
a Rob Roy or by means of a raft—typical raft ripples like fire | |
snakes in Japan; and one could now follow with an artist's eye | |
the motorcar's lamps, fore and aft, progressing east along the | |
AB bank of that rectangular lake, then turning sharply upon | |
116.20 | reaching its B corner, trailing away up the short side and |
creeping back west, in a dim and diminished aspect, to a middle | |
point on the far margin where they swung north and disap- | |
peared. | |
As two last retainers, the cook and the night watchman, scur- | |
116.25 | ried across the lawn toward a horseless trap or break, that |
stood beckoning them with erected thills (or was it a rickshaw? | |
Uncle Dan once had a Japanese valet), Van was delighted and | |
shocked to distinguish, right there in the inky shrubbery, Ada | |
in her long nightgown passing by with a lighted candle in | |
116.30 | one hand and a shoe in the other as if stealing after the belated |
ignicolists. It was only her reflection in the glass. She dropped | |
the found shoe in a wastepaper basket and joined Van on the | |
divan. | |
"Can one see anything, oh, can one see?" the dark-haired |
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child kept repeating, and a hundred barns blazed in her amber- | |
black eyes, as she beamed and peered in blissful curiosity. He | |
relieved her of her candlestick, placing it near his own longer | |
one on the window ledge. "You are naked, you are dreadfully | |
117.05 | indecent," she observed without looking and without any em- |
phasis or reproof, whereupon he cloaked himself tighter, Ramses | |
the Scotsman, as she knelt beside him. For a moment they both | |
contemplated the romantic night piece framed in the window. | |
He had started to stroke her, shivering, staring ahead, following | |
117.10 | with a blind man's hand the dip of her spine through the batiste. |
"Look, gipsies," she whispered, pointing at three shadowy | |
forms—two men, one with a ladder, and a child or dwarf— | |
circumspectly moving across the gray lawn. They saw the | |
candle-lit window and decamped, the smaller one walking à | |
117.15 | reculons as if taking pictures. |
"I stayed home on purpose, because I hoped you would too | |
—it was a contrived coincidence," she said, or said later she'd | |
said—while he continued to fondle the flow of her hair, and | |
to massage and rumple her nightdress, not daring yet to go | |
117.20 | under and up, daring, however, to mold her nates until, with |
a little hiss, she sat down on his hand and her heels, as the burn- | |
ing castle of cards collapsed. She turned to him and next | |
moment he was kissing her bare shoulder, and pushing against | |
her like that soldier behind in the queue. | |
117.25 | First time I hear about him. I thought old Mr. Nymphobot- |
tomus had been my only predecessor. | |
Last spring. Trip to town. French theater matinée. Made- | |
moiselle had mislaid the tickets. The poor fellow probably | |
thought "Tartuffe" was a tart or a stripteaser. | |
117.30 | Ce qui n'est pas si bête, au fond. Which was not so dumb |
after all. Okay. In that scene of the Burning Barn— | |
Yes? | |
Nothing. Go on. | |
Oh, Van, that night, that moment as we knelt side by side |
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in the candlelight like Praying Children in a very bad picture, | |
showing two pairs of soft-wrinkled, once arboreal-animal, soles | |
—not to Grandma who gets the Xmas card but to the surprised | |
and pleased Serpent, I remember wanting so badly to ask you | |
118.05 | for a bit of purely scientific information, because my sidelong |
glance— | |
Not now, it's not a nice sight right now and it will be worse | |
in a moment (or words to that effect). | |
Van could not decide whether she really was utterly ignorant | |
118.10 | and as pure as the night sky—now drained of its fire color—or |
whether total experience advised her to indulge in a cold game. | |
It did not really matter. | |
Wait, not right now, he replied in a half-muffled mutter. | |
She insisted: I wannask, I wannano— | |
118.15 | He caressed and parted with his fleshy folds, parties très |
charnues, in the case of our passionate siblings, her lank loose, | |
nearly lumbus-length (when she threw back her head as now) | |
black silks as he tried to get at her bed-warm splenius. (It is | |
not necessary, here or elsewhere, there was another similar pas- | |
118.20 | sage, to blotch a reasonably pure style with vague anatomical |
terms that a psychiatrist remembers from his student days. In | |
Ada's late hand.) | |
"I wannask," she repeated as he greedily reached his hot pale | |
goal. | |
118.25 | "I want to ask you," she said quite distinctly, but also quite |
beside herself because his ramping palm had now worked its | |
way through at the armpit, and his thumb on a nipplet made | |
her palate tingle: ringing for the maid in Georgian novels— | |
inconceivable without the presence of elettricità— | |
118.30 | (I protest. You cannot. It is banned even in Lithuanian and |
Latin. Ada's note.) | |
"—to ask you . . . " | |
"Ask," cried Van, "but don't spoil everything" (such as | |
feeding upon you, writhing against you). |
[ 118 ]
"Well, why," she asked (demanded, challenged, one flame | |
crepitated, one cushion was on the floor), "why do you get so | |
fat and hard there when you—" | |
"Get where? When I what?" | |
119.05 | In order to explain, tactfully, tactually, she belly-danced |
against him, still more or less kneeling, her long hair getting in | |
the way, one eye staring into his ear (their reciprocal positions | |
had become rather muddled by then). | |
"Repeat!" he cried as if she were far away, a reflection in a | |
119.10 | dark window. |
"You will show me at once," said Ada firmly. | |
He discarded his makeshift kilt, and her tone of voice changed | |
immediately. | |
"Oh, dear," she said as one child to another. "It's all skinned | |
119.15 | and raw. Does it hurt? Does it hurt horribly?" |
"Touch it quick," he implored. | |
"Van, poor Van," she went on in the narrow voice the sweet | |
girl used when speaking to cats, caterpillars, pupating puppies, | |
"yes, I'm sure, it smarts, would it help if I'd touch, are you | |
119.20 | sure?" |
"You bet," said Van, "on n'est pas bête à ce point" ("there | |
are limits to stupidity," colloquial and rude). | |
"Relief map," said the primrose prig, "the rivers of Africa." | |
Her index traced the blue Nile down into its jungle and traveled | |
119.25 | up again. "Now what's this? The cap of the Red Bolete is not |
half as plushy. In fact" (positively chattering), "I'm reminded | |
of geranium or rather pelargonium bloom." | |
"God, we all are," said Van. | |
"Oh, I like this texture, Van, I like it! Really I do!" | |
119.30 | "Squeeze, you goose, can't you see I'm dying." |
But our young botanist had not the faintest idea how to | |
handle the thing properly—and Van, now in extremis, driving | |
it roughly against the hem of her nightdress, could not help | |
groaning as he dissolved in a puddle of pleasure. |
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She looked down in dismay. | |
"Not what you think," remarked Van calmly. "This is not | |
number one. Actually it's as clean as grass sap. Well, now the | |
Nile is settled stop Speke." | |
120.05 | (I wonder, Van, why you are doing your best to transform |
our poetical and unique past into a dirty farce? Honestly, Van! | |
Oh, I am honest, that's how it went. I wasn't sure of my | |
ground, hence the sauciness and the simper. Ah, parlez pour | |
vous: I, dear, can affirm that those famous fingertrips up your | |
120.10 | Africa and to the edge of the world came considerably later |
when I knew the itinerary by heart. Sorry, no—if people re- | |
membered the same they would not be different people. That's- | |
how-it-went. But we are not "different"! Think and dream are | |
the same in French. Think of the douceur, Van! Oh, I am think- | |
120.15 | ing of it, of course, I am—it was all douceur, my child, my |
rhyme. That's better, said Ada.) | |
Please, take over. | |
Van stretched himself naked in the now motionless candle- | |
light. | |
120.20 | "Let us sleep here," he said. "They won't be back before |
dawn relights Uncle's cigar." | |
"My nightie is trempée," she whispered. | |
"Take it off, this plaid sleeps two." | |
"Don't look, Van." | |
120.25 | "That's not fair," he said and helped her to slip it up and |
over her hair-shaking head. She was shaded with a mere touch | |
of coal at the mystery point of her chalk-white body. A bad | |
boil had left a pink scar between two ribs. He kissed it, and | |
lay back on his clasped hands. She was inspecting from above | |
120.30 | his tanned body the ant caravan to the oasis of the navel; he |
was decidedly hirsute for so young a boy. Her young round | |
breasts were just above his face. I denounce the philistine's post- | |
coital cigarette both as a doctor and an artist. It is, however, |
[ 120 ]
true that Van was not unaware of a glass box of Turkish Trau- | |
matis on a console too far to be reached with an indolent | |
stretch. The tall clock struck an anonymous quarter, and Ada | |
was presently watching, cheek on fist, the impressive, though | |
121.05 | oddly morose, stirrings, steady clockwise launch, and ponderous |
upswing of virile revival. | |
But the shag of the couch was as tickly as the star-dusted sky. | |
Before anything new happened, Ada went on all fours to re- | |
arrange the lap robe and cushions. Native girl imitating rabbit. | |
121.10 | He groped for and cupped her hot little slew from behind, then |
frantically scrambled into a boy's sandcastle-molding position; | |
but she turned over, naively ready to embrace him the way | |
Juliet is recommended to receive her Romeo. She was right. | |
For the first time in their love story, the blessing, the genius of | |
121.15 | lyrical speech descended upon the rough lad, he murmured |
and moaned, kissing her face with voluble tenderness, crying | |
out in three languages—the three greatest in all the world—pet | |
words upon which a dictionary of secret diminutives was to | |
be based and go through many revisions till the definitive edi- | |
121.20 | tion of 1967. When he grew too loud, she shushed, shushingly |
breathing into his mouth, and now her four limbs were frankly | |
around him as if she had been love-making for years in all our | |
dreams—but impatient young passion (brimming like Van's | |
overflowing bath while he is reworking this, a crotchety gray | |
121.25 | old wordman on the edge of a hotel bed) did not survive the |
first few blind thrusts; it burst at the lip of the orchid, and a | |
bluebird uttered a warning warble, and the lights were now | |
stealing back under a rugged dawn, the firefly signals were | |
circumscribing the reservoir, the dots of the carriage lamps be- | |
121.30 | came stars, wheels rasped on the gravel, all the dogs returned |
well pleased with the night treat, the cook's niece Blanche | |
jumped out of a pumpkin-hued police van in her stockinged | |
feet (long, long after midnight, alas)—and our two naked chil- |
[ 121 ]
dren, grabbing lap robe and nightdress, and giving the couch | |
a parting pat, pattered back with their candlesticks to their | |
innocent bedrooms. | |
"And do you remember," said gray-moustached Van as he | |
122.05 | took a Cannabina cigarette from the bedside table and rattled |
a yellow-blue matchbox, "how reckless we were, and how | |
Larivière stopped snoring but a moment later went on shaking | |
the house, and how cold the iron steps were, and how discon- | |
certed I was—by your—how shall I put it?—lack of restraint." | |
122.10 | "Idiot," said Ada, from the wall side, without turning her |
head. | |
Summer 1960? Crowded hotel somewhere between Ex and | |
Ardez? | |
Ought to begin dating every page of the manuscript: Should | |
122.15 | be kinder to my unknown dreamers. |
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