Ada or Ardor: A Family Chronicle Part 1, Chapter 35 (view annotations) |
35 |
We are now on a willow islet amidst the quietest branch of the | |
blue Ladore, with wet fields on one side and on the other a | |
view of Bryant's Castle, remote and romantically black on its | |
oak-timbered hill. In that oval seclusion, Van subjected his new | |
215.05 | Ada to a comparative study; juxtapositions were easy, since |
the child he had known in minute detail four years before stood | |
vividly illumined in his mind against the same backdrop of | |
flowing blue. | |
Her forehead area seemed to have diminished, not only be- | |
215.10 | cause she had become taller, but because she did her hair |
differently, with a dramatic swirl in front; its whiteness, now | |
clear of all blemishes, had acquired a particularly mat tinge, | |
and soft skinfolds crossed it, as if she had been frowning too | |
much all those years, poor Ada. | |
215.15 | The eyebrows were as regal and thick as ever. |
The eyes. The eyes had kept their voluptuous palpebral | |
creases; the lashes, their semblance of jet-dust incrustation; | |
the raised iris, its Hindu-hypnotic position; the lids, their in- | |
ability to stay alert and wide open during the briefest embrace; | |
215.20 | but those eyes' expression—when she ate an apple, or examined |
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a found thing, or simply listened to an animal or a person—had | |
changed, as if new layers of reticence and sadness had accumu- | |
lated, half-veiling the pupil, while the glossy eyeballs shifted | |
in their lovely long sockets with a more restless motion than of | |
216.05 | yore: Mlle Hypnokush, "whose eyes never dwell on you and |
yet pierce you." | |
Her nose had not followed Van's in the latter's thickening | |
of Hibernian outline; but the bone was definitely bolder, and | |
the tip seemed to turn up more strongly, and had a little vertical | |
216.10 | groove that he did not recall having seen in the twelve-year-old |
colleenette. | |
In a strong light, a suggestion of darkish silk down (related | |
to that on her forearms) could be now made out between nose | |
and mouth but was doomed, she said, to extinction at the first | |
216.15 | cosmetical session of the fall season. A touch of lipstick now |
gave her mouth an air of deadpan sullenness, which, by contrast, | |
increased the shock of beauty when in gayety or greed she | |
revealed the moist shine of her large teeth and the red riches | |
of tongue and palate. | |
216.20 | Her neck had been, and remained, his most delicate, most |
poignant delight, especially when she let her hair flow freely, | |
and the warm, white, adorable skin showed through in chance | |
separations of glossy black strands. Boils and mosquito bites | |
had stopped pestering her, but he discovered the pale trace of | |
216.25 | an inch-long cut which ran parallel to her vertebrae just below |
the waist and which resulted from a deep scratch caused last | |
August by an erratic hatpin—or rather by a thorny twig in | |
the inviting hay. | |
(You are merciless, Van.) | |
216.30 | On that secret islet (forbidden to Sunday couples—it be- |
longed to the Veens, and a notice-board calmly proclaimed that | |
"trespassers might get shot by sportsmen from Ardis Hall," | |
Dan's wording) the vegetation consisted of three Babylonian | |
willows, a fringe of alder, many grasses, cattails, sweet-flags, |
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and a few purple-lipped twayblades, over which Ada crooned | |
as she did over puppies or kittens. | |
Under the shelter of those neurotic willows Van pursued his | |
survey. | |
217.05 | Her shoulders were intolerably graceful: I would never per- |
mit my wife to wear strapless gowns with such shoulders, but | |
how could she be my wife? Renny says to Nell in the English | |
version of Monparnasse's rather comic tale: "The infamous | |
shadow of our unnatural affair will follow us into the low | |
217.10 | depths of the Inferno which our Father who is in the sky shows |
to us with his superb digit." For some odd reason the worse | |
translations are not from the Chinese, but from plain French. | |
Her nipples, now pert and red, were encircled by fine black | |
hairs which would soon go, too, being, she said, unschicklich. | |
217.15 | Where had she picked up, he wondered, that hideous word? |
Her breasts were pretty, pale and plump, but somehow he had | |
preferred the little soft swellings of the earlier girl with their | |
formless dull buds. | |
He recognized the familiar, individual, beautiful intake of | |
217.20 | her flat young abdomen, its wonderful "play," the frank and |
eager expression of the oblique muscles and the "smile" of her | |
navel—to borrow from the vocabulary of the belly dancer's | |
art. | |
One day he brought his shaving kit along and helped her to | |
217.25 | get rid of all three patches of body hair: |
"Now I'm Scheher," he said, "and you are his Ada, and | |
that's your green prayer carpet." | |
Their visits to that islet remained engraved in the memory | |
of that summer with entwinements that no longer could be | |
217.30 | untangled. They saw themselves standing there, embraced, |
clothed only in mobile leafy shadows, and watching the red | |
rowboat with its mobile inlay of reflected ripples carry them | |
off, waving, waving their handkerchiefs; and that mystery of | |
mixed sequences was enhanced by such things as the boat's |
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floating back to them while it still receded, the oars crippled by | |
refraction, the sunflecks now rippling the other way like the | |
strobe effect of spokes counterwheeling as the pageant rolls | |
by. Time tricked them, made one of them ask a remembered | |
218.05 | question, caused the other to give a forgotten answer, and once |
in a small alder thicket, duplicated in black by the blue stream, | |
they found a garter which was certainly hers, she could not | |
deny it, but which Van was positive she had never worn on | |
her stockingless summer trips to the magic islet. | |
218.10 | Her lovely strong legs had, maybe, grown longer but they |
still preserved the sleek pallor and suppleness of her nymphet | |
years. She could still suck her big toe. The right instep and the | |
back of her left hand bore the same small not overconspicuous | |
but indelible and sacred birthmark, with which nature had | |
218.15 | signed his right hand and left foot. She attempted to coat her |
fingernails with Scheherazade's Lacquer (a very grotesque fad | |
of the 'eighties) but she was untidy and forgetful in matters of | |
grooming, the varnish flaked off, leaving unseemly blotches, | |
and he requested her to revert to her "lack-luster" state. In | |
218.20 | compensation, he bought her in the town of Ladore (that rather |
smart little resort) an ankle chain of gold but she lost it in the | |
course of their strenuous trysts and unexpectedly broke into | |
tears when he said never mind, another lover some day would | |
retrieve it for her. | |
218.25 | Her brilliance, her genius. Of course, she had changed in four |
years, but he, too, had changed, by concurrent stages, so that | |
their brains and senses stayed attuned and were to stay thus | |
always, through all separations. Neither had remained the brash | |
Wunderkind of 1884, but in bookish knowledge both surpassed | |
218.30 | their coevals to an even more absurd extent than in childhood; |
and in formal terms Ada (born on July 21, 1872) had already | |
completed her private school course while Van, her senior | |
by two years and a half, hoped to get his master's degree at | |
the end of 1889. Her conversation might have lost some of its |
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sportive glitter, and the first faint shadows of what she would | |
later term "my acarpous destiny" (pustotsvetnost') could be | |
made out—at least, in back view; but the quality of her innate wit | |
had deepened, strange "metempirical" (as Van called them) | |
219.05 | undercurrents seemed to double internally, and thus enrich, the |
simplest expression of her simplest thoughts. She read as vora- | |
ciously and indiscriminately as he, but each had evolved a more | |
or less "pet" subject—he the terrological part of psychiatry, she | |
the drama (especially Russian), a "pet" he found "pat" in her | |
219.10 | case but hoped would be a passing vagary. Her florimania en- |
dured, alas; but after Dr. Krolik died (in 1886) of a heart | |
attack in his garden, she had placed all her live pupae in his | |
open coffin where he lay, she said, as plump and pink as in vivo. | |
Amorously, now, in her otherwise dolorous and irresolute | |
219.15 | adolescence, Ada was even more aggressive and responsive than |
in her abnormally passionate childhood. A diligent student of | |
case histories, Dr. Van Veen never quite managed to match | |
ardent twelve-year-old Ada with a non-delinquent, non-nymph- | |
omaniac, mentally highly developed, spiritually happy and | |
219.20 | normal English child in his files, although many similar little |
girls had bloomed—and run to seed—in the old châteaux of | |
France and Estotiland as portrayed in extravagant romances | |
and senile memoirs. His own passion for her Van found even | |
harder to study and analyze. When he recollected caress by | |
219.25 | caress his Venus Villa sessions, or earlier visits to the riverhouses |
of Ranta or Livida, he satisfied himself that his reactions to | |
Ada remained beyond all that, since the merest touch of her | |
finger or mouth following a swollen vein produced not only a | |
more potent but essentially different delicia than the slowest | |
219.30 | "winslow" of the most sophisticated young harlot. What, then, |
was it that raised the animal act to a level higher than even that | |
of the most exact arts or the wildest flights of pure science? It | |
would not be sufficient to say that in his love-making with Ada | |
he discovered the pang, the ogon', the agony of supreme "real- |
[ 219 ]
ity." Reality, better say, lost the quotes it wore like claws—in | |
a world where independent and original minds must cling to | |
things or pull things apart in order to ward off madness or | |
death (which is the master madness). For one spasm or two, | |
220.05 | he was safe. The new naked reality needed no tentacle or an- |
chor; it lasted a moment, but could be repeated as often as he | |
and she were physically able to make love. The color and fire | |
of that instant reality depended solely on Ada's identity as per- | |
ceived by him. It had nothing to do with virtue or the vanity | |
220.10 | of virtue in a large sense—in fact it seemed to Van later that |
during the ardencies of that summer he knew all along that she | |
had been, and still was, atrociously untrue to him—just as she | |
knew long before he told her that he had used off and on, | |
during their separation, the live mechanisms tense males could | |
220.15 | rent for a few minutes as described, with profuse woodcuts and |
photographs, in a three-volume History of Prostitution which | |
she had read at the age of ten or eleven, between Hamlet and | |
Captain Grant's Microgalaxies. | |
For the sake of the scholars who will read this forbidden | |
220.20 | memoir with a secret tingle (they are human) in the secret |
chasms of libraries (where the chatter, the lays and the fannies | |
of rotting pornographers are piously kept)—its author must add | |
in the margin of galley proofs which a bedridden old man | |
heroically corrects (for those slippery long snakes add the last | |
220.25 | touch to a writer's woes) a few more [the end of the sentence |
cannot be deciphered but fortunately the next paragraph is | |
scrawled on a separate writing-pad page. Editor's Note]. | |
. . . about the rapture of her identity. The asses who might | |
really think that in the starlight of eternity, my, Van Veen's, | |
220.30 | and her, Ada Veen's, conjunction, somewhere in North Amer- |
ica, in the nineteenth century represented but one trillionth of | |
a trillionth part of a pinpoint planet's significance can bray | |
ailleurs, ailleurs, ailleurs (the English word would not supply | |
the onomatopoeic element; old Veen is kind), because the rap- |
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ture of her identity, placed under the microscope of reality | |
(which is the only reality), shows a complex system of those | |
subtle bridges which the senses traverse—laughing, embraced, | |
throwing flowers in the air—between membrane and brain, and | |
221.05 | which always was and is a form of memory, even at the moment |
of its perception. I am weak. I write badly. I may die tonight. | |
My magic carpet no longer skims over crown canopies and | |
gaping nestlings, and her rarest orchids. Insert. |
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