Ada or Ardor: A Family Chronicle Part 2, Chapter 7 (view annotations) |
7 |
During her dreary stay at Ardis, a considerably changed and | |
enlarged Kim Beauharnais called upon her. He carried under his | |
arm an album bound in orange-brown cloth, a dirty hue she | |
had hated all her life. In the last two or three years she had not | |
396.05 | seen him, the light-footed, lean lad with the sallow complexion |
had become a dusky colossus, vaguely resembling a janizary in | |
some exotic opera, stomping in to announce an invasion or an | |
execution. Uncle Dan, who just then was being wheeled out by | |
his handsome and haughty nurse into the garden where coppery | |
396.10 | and blood-red leaves were falling, clamored to be given the big |
book, but Kim said "Perhaps later," and joined Ada in the | |
reception corner of the hall. | |
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he had taken in the good old days. He had been hoping the | |
396.15 | good old days would resume their course, but since he under- |
stood that mossio votre cossin (he spoke a thick Creole thinking | |
that its use in solemn circumstances would be more proper than | |
his everyday Ladore English) was not expected to revisit the | |
castle soon—and thus help bring the album up to date—the |
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best procedure pour tous les cernés ("the shadowed ones," the | |
"encircled" rather than "concerned") might be for her to keep | |
(or destroy and forget, so as not to hurt anybody) the illustrated | |
document now in her pretty hands. Wincing angrily at the | |
397.05 | jolies, Ada opened the album at one of its maroon markers mean- |
ingly inserted here and there, glanced once, reclicked the clasp, | |
handed the grinning blackmailer a thousand-dollar note that | |
she happened to have in her bag, summoned Bouteillan and told | |
him to throw Kim out. The mud-colored scrapbook remained | |
397.10 | on a chair, under her Spanish shawl. With a shuffling kick the |
old retainer expelled a swamp-tulip leaf swept in by the draft | |
and closed the front door again. | |
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grumbled on his way back through the hall. | |
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when Ada had finished relating the nasty incident. "Were the | |
photos pretty filthy?" | |
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397.20 | for Blind Colts or Aging Ashettes." |
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to pay for it, lest he show poor Marina pictures of Van seducing | |
397.25 | his little cousin Ada—which would have been bad enough; |
actually, as a hawk of genius, he may have suspected the whole | |
truth." | |
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a paltry thousand all evidence has been disposed of and every- | |
397.30 | thing is in order?" |
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send him more. I know where to reach him. He lectures, if you | |
please, on the Art of Shooting Life at the School of Photography | |
in Kalugano." |
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you own the 'beastly thing'?" | |
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I'll show it to you in a moment." | |
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first met?" | |
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kept all the negatives plus lots of pictures he will paste or post | |
398.10 | later." |
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his monthly salary." | |
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398.15 | initial impressions of Ardis Manor at an angle that differed from |
that of his own recollection. Its area lay between the shadow of | |
a calèche darkening the gravel and the white step of a pillared | |
porch shining in the sun. Marina, one arm still in the sleeve of | |
the dust coat which a footman (Price) was helping her to | |
398.20 | remove, stood brandishing her free arm in a theatrical gesture |
of welcome (entirely at variance with the grimace of helpless | |
beatitude twisting her face), while Ada in a black hockey blazer | |
—belonging really to Vanda—spilled her hair over her bare | |
knees as she flexed them and flipped Dack with her flowers to | |
398.25 | check his nervous barks. |
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grounds: the colutea circle, an avenue, the grotto's black O, and | |
the hill, and the big chain around the trunk of the rare oak, | |
Quercus ruslan Chât., and a number of other spots meant to be | |
398.30 | picturesque by the compiler of the illustrated pamphlet but |
looking a little shabby owing to inexperienced photography. | |
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Ada (and indeed not unlike her in features) over Van's valise |
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Cordula still had it in her cosy corner where you sat temple | |
to temple after you jilted me." | |
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403.05 | in comparison to this—this Love under the Lindens by one |
Eelmann transported into English by Thomas Gladstone, who | |
seems to belong to a firm of Packers & Porters, because on the | |
page which Adochka, adova dochka (Hell's daughter) happens | |
to be relishing here, 'automobile' is rendered as 'wagon.' And | |
403.10 | to think, to think, that little Lucette had to study Eelmann, and |
three terrible Toms in her Literature course at Los!" | |
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hour kiss Under the Larches immediately afterwards." | |
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after us on his belly with his entire apparatus. I will have to | |
destroy him." | |
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403.20 | glued to your epiglottis, and—" |
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of the peep show was catchy), "ninety times a month, roughly." | |
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403.25 | and fifty, that would mean, that would mean—" |
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devils. | |
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back to our defaced childhood. I'm anxious"—(picking up the | |
403.30 | album from the bedside rug)—"to get rid of this burden. Ah, |
a new character, the inscription says: Dr Krolik." | |
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messy all the same. Okay. Yes, that's my poor nature teacher." | |
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and line drawings of the perfect insect's genitalia and other | |
structures. It would be a wonderful work." | |
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405.05 | his collections, including my own little part, were surrendered |
by a regular warren of collateral Kroliks to agents in Germany | |
and dealers in Tartary. Disgraceful, unjust, and so sad!" | |
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we have here." | |
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grotesque firemen. Young Bout devoutedly kissing the veined | |
instep of a pretty bare foot raised and placed on a balustrade. | |
Nocturnal outdoor shot of two small white ghosts pressing their | |
noses from the inside to the library window. | |
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(diminutive stills) taken within as many minutes—from a fairly | |
distant lurk—in a setting of tall grass, wild flowers, and overhang- | |
ing foliage. Its shade, and the folly of peduncles, delicately camou- | |
flaged the basic details, suggesting little more than a tussle be- | |
405.20 | tween two incompletely clad children. |
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thin arm holding aloft, in a static snatch, like a banner, her | |
discarded dress above the daisy-starred grass. The magnifier | |
(now retrieved from under the bed sheet) clearly showed, | |
405.25 | topping the daisies in an upper picture, the type of tight-capped |
toadstool called in Scots law (ever since witching was banned) | |
"the Lord of Erection." Another interesting plant, Marvel's | |
Melon, imitating the backside of an occupied lad, could be made | |
out in the floral horizon of a third photo. In the next three stills | |
405.30 | la force des choses ("the fever of intercourse") had sufficiently |
disturbed the lush herbage to allow one to distinguish the de- | |
tails of a tangled composition consisting of clumsy Romany | |
clips and illegal nelsons. Finally, in the last picture, the lower |
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the Vice President Ida Larivière. Those two were flanked by | |
the two prettiest typists, Blanche de la Tourberie (ethereal, | |
tearstained, entirely adorable) and a black girl who had been | |
hired, a few days before Van's departure, to help French, who | |
407.05 | towered rather sullenly above her in the second row, the focal |
point of which was Bouteillan, still wearing the costume sport | |
he had on when driving off with Van (that picture had been | |
muffed or omitted). On the butler's right side stood three foot- | |
men; on his left, Bout (who had valeted Van), the fat, flour- | |
407.10 | pale cook (Blanche's father) and, next to French, a terribly |
tweedy gentleman with sightseeing strappings athwart one | |
shoulder: actually (according to Ada), a tourist, who, having | |
come all the way from England to see Bryant's Castle, had | |
had bicycled up the wrong road and was, in the picture, under the im- | |
407.15 | pression of accidentally being conjoined to a group of fellow |
tourists who were visiting some other old manor quite worth | |
inspecting too. The back rows consisted of less distinguished | |
menservants and scullions, as well as of gardeners, stableboys, | |
coachmen, shadows of columns, maids of maids, aids, laundresses, | |
407.20 | dresses, recesses—getting less and less distinct as in those bank |
ads where limited little employees dimly dimidiated by more | |
fortunate shoulders, but still asserting themselves, still smile in | |
the process of humble dissolve. | |
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407.25 | the old fellow." |
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later. He is now a prominent policeman in Lower Ladore. Well, | |
that's all." | |
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one. I never rowed you down Ladore River in early spring. | |
Nice to note you have not lost your wonderful ability to blush." | |
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later, maybe in 1888. We can rip it out if you like." |
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out. One need not be a sleuth in a mystery story to see that at | |
least as many pages have been removed as retained. I don't mind | |
—I mean I have no desire to see the Knabenkräuter and other | |
408.05 | pendants of your friends botanizing with you; but 1888 has |
been withheld and he'll turn up with it when the first grand is | |
spent." | |
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swear, I solemnly swear, that the man behind Blanche, in the | |
408.10 | perron picture, was, and has always remained, a complete |
stranger." | |
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It's our entire past that has been spoofed and condemned. On | |
second thoughts, I will not write that Family Chronicle. By the | |
408.15 | way, where is my poor little Blanche now?" |
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back—after you abducted her. She married our Russian coach- | |
man, the one who replaced Bengal Ben, as the servants called | |
him." | |
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would never have thought it." | |
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408.25 | your first arrival." |
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remain blind? I mean, did you get them a really first-rate | |
physician?" | |
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408.30 | do you realize—because I never did before talking to her a |
couple of years ago—that the people around our affair had | |
very good eyes indeed? Forget Kim, he's only the necessary | |
clown—but do you realize that a veritable legend was growing | |
around you and me while we played and made love?" |
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