| Ada or Ardor: A Family Chronicle  Part 5, Chapter 1 (annotations forthcoming)  | 
    
| 1 | 
| I, Van Veen, salute you, life, Ada Veen, Dr. Lagosse, Stepan | |
| Nootkin, Violet Knox, Ronald Oranger. Today is my ninety- | |
| seventh birthday, and I hear from my wonderful new Everyrest | |
| chair a spade scrape and footsteps in the snow-sparkling | |
| 567.05 | garden, and my old Russian valet, who is deafer than he thinks, | 
| pullout and push in nose-ringed drawers in the dressing room. | |
| This Part Five is not meant as an epilogue; it is the true intro- | |
| duction of my ninety-seven percent true, and three percent | |
| likely, Ada or Ardor, a family chronicle. | |
| 567.10 | |
| château recently built in Ex, in the Swiss Alps, with its pillared | |
| front and crenelated turrets, became their favorite, especially | |
| in midwinter, when the famous glittering air, le cristal d’Ex, | |
| “matches the highest forms of human thought—pure mathe- | |
| 567.15 | matics & decipherment” (unpublished ad). | 
| long travels. Ada did not breed or collect butterflies any more, | |
| but throughout her healthy and active old age loved to film | |
| them in their natural surroundings, at the bottom of her garden | |
| 567.20 | or the end of the world, flapping and flitting, settling on flowers | 
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| or filth, gliding over grass or granite, fighting or mating. Van | |
| accompanied her on picture-shooting journeys to Brazil, the | |
| Congo, New Guinea, but secretly preferred a long drink under | |
| a tent to a long wait under a tree for some rarity to come | |
| 568.05 | down to the bait and be taken in color. One would need another | 
| book to describe Ada’s adventures in Adaland. The films—and | |
| the crucified actors (Identification Mounts)—can be seen by | |
| arrangement at the Lucinda Museum, 5, Park Lane, Manhattan. | 
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